Yet some have begun to think that all these ventures make up Warhol's most important legacy because they prefigure the diverse interests, activities, and interventions that occupy artists today.īy the 1960s, the New York art world was in a rut, the very original and popular canvases of the Abstract Expressionists of the 1940s and '50s had become cliché. Valuing his early paintings above all, they have ignored the activities that absorbed his attention in later years - parties, collecting, publishing, and painting commissioned portraits.
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Some view his Death and Disaster series, and his Marilyn pictures, as frank expressions of his sorrow at public events. Much debate still surrounds the iconic screenprinted images with which Warhol established his reputation as a Pop artist in the early 1960s.
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His drawings were often comic, decorative, and whimsical, and their tone is entirely different from the cold and impersonal mood of his Pop art. Warhol's early commercial illustration has recently been acclaimed as the arena in which he first learned to manipulate popular tastes.